La paradoja del poder: de la construcción a la autodestrucción
Date
2023
Authors
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Publisher
Universidad Finis Terrae (Chile) Facultad de Artes
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Abstract
La visión humana centrista de superioridad ha llevado a la persona a someter y amenazar el bienestar de otros ecosistemas. Aunque el hombre ha obtenido beneficios a través de sus conocimientos y adaptación a su entorno, esto ha causado daños a sí mismo y al medio ambiente. La construcción por medio de la destrucción es un reflejo de este poder por coerción y superioridad, que ha llevado a la degradación de la Tierra, y el abuso y la extinción de especies.
Los daños ocasionados a sí mismo y la resistencia de la naturaleza en contra de esta destrucción, se verán reflejadas en una intervención espacial de planchas de aluminio y hormigón. La cual generará un espacio confrontacional entre el espectador, la destrucción de su entorno y su autodestrucción. Además de concientizar sobre los actos ocasionados al medio ambiente, se visualiza su destrucción paulatina fundiéndose en su propia construcción. La telaraña representa tanto el ecosistema persistiendo en los espacios urbanos, como la temporalidad de la consecuencia.
The human-centred view of superiority has led people to subjugate and threaten the well-being of other ecosystems. Although humans have gained benefits through their knowledge and adaptation to their environment, this has caused damage to themselves and to the environment. Construction through destruction is a reflection of this power by coercion and superiority, which has led to the degradation of the earth, and the abuse and extinction of species. The damage done to itself and the resistance of nature against this destruction will be reflected in a spatial intervention of aluminium plates and concrete. This will generate a confrontational space between the spectator, the destruction of his environment and his own self-destruction. In addition to raising awareness of the acts caused to the environment, its gradual destruction is visualised by melting into its own construction. The spider's web represents both the ecosystem persisting in urban spaces and the temporality of the consequence.
The human-centred view of superiority has led people to subjugate and threaten the well-being of other ecosystems. Although humans have gained benefits through their knowledge and adaptation to their environment, this has caused damage to themselves and to the environment. Construction through destruction is a reflection of this power by coercion and superiority, which has led to the degradation of the earth, and the abuse and extinction of species. The damage done to itself and the resistance of nature against this destruction will be reflected in a spatial intervention of aluminium plates and concrete. This will generate a confrontational space between the spectator, the destruction of his environment and his own self-destruction. In addition to raising awareness of the acts caused to the environment, its gradual destruction is visualised by melting into its own construction. The spider's web represents both the ecosystem persisting in urban spaces and the temporality of the consequence.
Description
Memoria (Licenciado en Artes Visuales, Mención Escultura)--Universidad Finis Terrae, 2023
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Santiago, Chile
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Citation
Keywords
ESCULTURA, ECOSISTEMAS, NATURALEZA EN EL ARTE, PROTECCIÓN DEL MEDIO AMBIENTE
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Atribución-NoComercial-CompartirIgual 3.0 Chile (CC BY-NC-SA 3.0 CL)