El olvido tiene memoria
Date
2023
Authors
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Publisher
Universidad Finis Terrae (Chile) Facultad de Artes
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Abstract
En el presente ensayo, abordaré una propuesta pictórica centrada en la evocación y gestualidad de la mancha y su relación con la represión de los recuerdos que yacen en la memoria. En mi trabajo la mancha es resultado de aquellas memorias y recuerdos personales que han sido olvidadas o de alguna forma contenidas en la mente, y cómo a través de su gestualidad que implica su proceso, la mancha puede revelar elementos ocultos en el inconsciente dejando una huella.
En el texto hago un recorrido razonado de cómo y por qué pasé de la figuración a la abstracción, destacando que he identificado en lo abstracto una clave, pues tendría la capacidad para evidenciar lo reprimido, lo oculto, lo censurado en los procesos mentales y emocionales.
En concreto, he intentado trabajar la abstracción desde el concepto de evocación, lo cual he desarrollado mediante la utilización de la tinta y la tela extendida en el espacio.
In this essay, I will address a pictorial proposal focused on the evocation and gesturality of the stain and its relationship with the repression of memories that lie in the memory. In my work the stain is the result of those memories and personal recollections that have been forgotten or somehow contained in the mind, and how through its gestuality that implies its process, the stain can reveal elements hidden in the unconscious leaving a trace. In the text I make a reasoned tour of how and why I went from figuration to abstraction, highlighting that I have identified in the abstract a key, as it would have the ability to reveal the repressed, the hidden, the censored in the mental and emotional processes. Specifically, I have tried to work abstraction from the concept of evocation, which I have developed through the use of ink and canvas spread in space.
In this essay, I will address a pictorial proposal focused on the evocation and gesturality of the stain and its relationship with the repression of memories that lie in the memory. In my work the stain is the result of those memories and personal recollections that have been forgotten or somehow contained in the mind, and how through its gestuality that implies its process, the stain can reveal elements hidden in the unconscious leaving a trace. In the text I make a reasoned tour of how and why I went from figuration to abstraction, highlighting that I have identified in the abstract a key, as it would have the ability to reveal the repressed, the hidden, the censored in the mental and emotional processes. Specifically, I have tried to work abstraction from the concept of evocation, which I have developed through the use of ink and canvas spread in space.
Description
Universidad Finis Terrae (Chile) Facultad de Artes
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Santiago, Chile
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Citation
Keywords
INCONSCIENTE, PINTURA ABSTRACTA, MEMORIA EN EL ARTE
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Atribución-NoComercial-CompartirIgual 3.0 Chile (CC BY-NC-SA 3.0 CL)