La Nostalgia es Suave. Representación del recuerdo a través de materialidades blandas y duras en la escultura
Date
2023
Authors
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Publisher
Universidad Finis Terrae (Chile) Facultad de Artes
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Abstract
Esta memoria documenta el proceso creativo y teórico de una obra instalativa que se basa en dos conceptos: la nostalgia y la materialidad, analizando, a su vez, el significado e importancia de ambos y cómo estos se integran. Además, se profundiza en la visión personal de la artista sobre la nostalgia, la cual la hace recordar el hogar de sus abuelos, lugar utilizado como referente en cada escultura dentro de la obra. La nostalgia es simplificada como un signo a través de la semiótica, el cual cobra vida en forma de un módulo cuadrado gracias a la materialidad y su experimentación. Finalmente, se llega a un resultado que abarca la experiencia personal de la artista, quien utiliza la nostalgia como concepto social y la materialidad como el elemento físico dentro de la obra, creando una instalación que imita una sala de estar compuesta por varias esculturas cubiertas por los módulos blandos que logran crear un espacio que se remite a estos conceptos.
This thesis documents the creative and theoretical process of an installation art work based on two concepts: nostalgia and materiality, analyzing both their meaning and importance, and how they link up. In addition, the artist's personal way of viewing nostalgia is delved into, explaining how this emotion reminds her of her grandparents house, a place that is referenced in each sculpture within the installation. Nostalgia is simplified as a sign through semiotics, which comes to life as a square module through materiality and its experimentation. Lastly, an artwork is created by incorporating the artist's personal experience, nostalgia as a social concept and materiality as the tangible element within the work, altogether creating an installation that imitates a family room composed of several sculptures enclosed by soft modules that accomplishes to create a space based on these concepts.
This thesis documents the creative and theoretical process of an installation art work based on two concepts: nostalgia and materiality, analyzing both their meaning and importance, and how they link up. In addition, the artist's personal way of viewing nostalgia is delved into, explaining how this emotion reminds her of her grandparents house, a place that is referenced in each sculpture within the installation. Nostalgia is simplified as a sign through semiotics, which comes to life as a square module through materiality and its experimentation. Lastly, an artwork is created by incorporating the artist's personal experience, nostalgia as a social concept and materiality as the tangible element within the work, altogether creating an installation that imitates a family room composed of several sculptures enclosed by soft modules that accomplishes to create a space based on these concepts.
Description
Memoria (Licenciado en Artes Visuales, Mención Escultura)--Universidad Finis Terrae, 2023
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Santiago, Chile
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Citation
Keywords
ESCULTURA, NOSTALGIA EN EL ARTE, ESCULTURA EN MADERA
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Atribución-NoComercial-CompartirIgual 3.0 Chile (CC BY-NC-SA 3.0 CL)