Dos voces intelectuales frente al Segundo Congreso de Escritores Soviéticos en la revista Aurora
Date
2020
Authors
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Publisher
Universidad Finis Terrae
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0719-997X
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Abstract
El presente artículo analiza dos voces intelectuales representativas de la línea editorial de la revista Aurora (1954-1956): Volodia Teitelboim y Pablo Neruda. Se sostiene que en el marco de la Guerra Fría cultural, los discursos de estos intelectuales se constituyeron como mecanismos de acción ideológicos-estéticos, posicionados frente a las discusiones del Segundo Congreso de Escritores Soviéticos (1954), respecto a la crítica soviética, al realismo socialista y a la responsabilidad del escritor.
The present article analyzes two representative intellectual voices of the editorial line of Aurora magazine (1954-1956): Volodia Teitelboim and Pablo Neruda. It is argued that within the framework of the cultural Cold War, the discourses of these intellectuals were constituted as ideological-aesthetic mechanisms of action, positioned against the discussions of the Second Congress of Soviet Writers (1954), regarding Soviet criticism, socialist realism and the responsibility of the writer.
The present article analyzes two representative intellectual voices of the editorial line of Aurora magazine (1954-1956): Volodia Teitelboim and Pablo Neruda. It is argued that within the framework of the cultural Cold War, the discourses of these intellectuals were constituted as ideological-aesthetic mechanisms of action, positioned against the discussions of the Second Congress of Soviet Writers (1954), regarding Soviet criticism, socialist realism and the responsibility of the writer.
Description
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Santiago, Chile
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Citation
Chacón Arancibia, Constanza. (2020). Dos voces intelectuales frente al Segundo Congreso de Escritores Soviéticos en la revista Aurora. Amoxtli, 5(5), 89–110.
Keywords
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Atribución-NoComercial-CompartirIgual 3.0 Chile (CC BY-NC-SA 3.0 CL)